José Domingo Rodríguez la tranquila expresión de una fe revolucionaria
Prefacio -- Prólogo -- Presentacion -- José Domingo Rodríguez (1895-1968): la importancia de una colección para la preservación de su memoria -- Inroducción. Un constructor de la memoria en el olvido -- De Santa Rosa de Viterbo a Bogotá -- El viaje a Europa y el regreso a Bogotá -- Un camino en la n...
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Bogotá, Colombia
Instituto Distrital de Patrimonio Cultural
2021
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Tag hinzufügen | Zusammenfassung: | Prefacio -- Prólogo -- Presentacion -- José Domingo Rodríguez (1895-1968): la importancia de una colección para la preservación de su memoria -- Inroducción. Un constructor de la memoria en el olvido -- De Santa Rosa de Viterbo a Bogotá -- El viaje a Europa y el regreso a Bogotá -- Un camino en la noción de escultura -- Cronología -- Lista de proyectos de la colección del Museo Nacional Shortly before the forty-year anniversary of the death of José Domingo Rodriguez (Santa Rosa de Viterbo, 1895-Macuto, Venezuela, 1968), his name reappeared during the preparation of the exhibition "Marca registrada. Salón Nacional de Artistas" that took place at the Museo Nacional between the October 19, 2006 to January 14, 2007. Back then, Eduardo Arcila Rivera, son of the sculptor Gustavo Arcila Uribe, visited the museum with a folder under his arm, full of newspaper clippings v photos about the work of his father and his generation. The timely visit made it possible to gather information from the archive of Arcila Uribe and on the ouverte of Rodríguez, who were two of the undisputed protagonists of the First Salón de Artistas Colombianos of 1931. The enthusiasm of the meeting went further, becauseArcila Rivera contacted Clemencia Morales, niece of José Domingo Rodríguez, and thanks to multiple conversations the possibility of contacting other descendants in Nemocóm where some of his belongings were kept. There Clemencia, Eduardo and Carolina Vanegas-curatorial researcher - and who writes these lines, we found much more than we expected: in addition to numerous works and documents, treasured in the house, in a room enabled as a cellar appeared Eva, outstanding work of art of the the First Salón, as well as the Exposición Iberoamericana of Seville of 1929. This is how the sculptures Eva by Rodríguez and Solitario by Argila headed the background space of the national salons is en "Marca registrada" ". Unexpectedly Jose Domingo Rodriquez reappeared on the scene and with him a whole generación."(HKB Translation) -Page 8 |
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| Beschreibung: | 191 Seiten Illustrationen 23 cm + 1 Poster, gefaltet |
| ISBN: | 9789585310674 9585310678 |