Revisiting the historiography of postwar avant-garde music
Introduction. Revisiting Old Stories of New Music / Anne-Sylvie Barthel-Calvet and Christopher Brent Murray -- Recent Histories of Twentieth-Century Music and the Historiographical Tradition / Martin Kaltenecker -- Continuity in the Creative Auto-Genealogies of Boulez, Stockhausen, Pousseur, and Non...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2023
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| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | Introduction. Revisiting Old Stories of New Music / Anne-Sylvie Barthel-Calvet and Christopher Brent Murray -- Recent Histories of Twentieth-Century Music and the Historiographical Tradition / Martin Kaltenecker -- Continuity in the Creative Auto-Genealogies of Boulez, Stockhausen, Pousseur, and Nono / Pascal Decroupet -- Inventing a Genre : Mauricio Kagel and Instrumental Theater / Jean-François Trubert -- The Songs of Koma Pio and Hele Marsiale in Olivier Messiaen's Île de feu Etudes / Christopher Brent Murray -- A New Patronage Model in Postwar America : Luciano Berio, Philanthropy, and the Economics of Culture / Tiffany Kuo -- Iannis Xenakis and the Men of Information Theory / Anne-Sylvie Barthel-Calvet -- Open Works on Record : An Unsung Mediation / Jonathan Goldman -- Making Audible the Mysteries of Sound : An Alternative Historiography for the Musical Avant-Garde from Varèse to Grisey / Pascal Decroupet "This collection of essays delves into the historiographical traditions that have dominated how the stories of European postwar avant-garde music are told, seeking to approach commonplaces of that history writing from new perspectives. The contributors revisit subjects as varied as the impact of long-playing records on the emergence of open works, Messiaen's interest in non-European musical traditions, Xenakis's turn to information theory, Kagel's strategic invention of a new genre, Berio's dependence on funding from American foundations, and the ways in which figures like Boulez, Stockhausen, Pousseur, and Nono constructed their musical ancestries. Leading experts in their respective fields, the volume's authors have sought to rethink the historiography of European experimental music of the 1950s, 1960s, and 1970s in ways that resituate that small but influential milieu in broader historical and cultural contexts. In doing so, they suggest new directions and insights for students and specialists of twentieth-century music and music historiography"-- |
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| Beschreibung: | VI, 199 Seiten Notenbeispiele |
| ISBN: | 9781138091207 978-1-138-09120-7 9781032310046 978-1-032-31004-6 1032310049 |