| The Argentine paint industry : 1940-60
|
2021 |
Frigerio, Sofía |
| Rhod Rothfuss and the "marco recortado" : a synthesis of cultural traditions in the Río de la Plata region
|
2021 |
García, María Amalia |
| Hermelindo Fiaminghi's quadrature of the circle between 1954 and 1959 : from concrete enamel to Giotto's tempera
|
2021 |
Gottschaller, Pia |
| On kissing and biting : materiality, language, and design in the work of Hermelindo Fiaminghi and Willys de Castro
|
2021 |
Gilbert, Zanna |
| Printing invention : artwork, project, or device
|
2021 |
Plante, Isabel |
| Argentine concrete art, the first decade : between material and formal tradition and innovation
|
2021 |
Monkes, Pino |
| Paint production in Brazil : 1940s-60s
|
2021 |
Ribeiro Barbosa, João Henrique |
| Energy, legibility, purity : color in Argentine concrete art
|
2021 |
Alonso, Idurre |
| Cut, fuse, fissure : planarity circa 1954
|
2021 |
Small, Irene |
| The adventure of color in Brazilian art : Aluísio Carvão, Hélio Oiticica, and Roberto Burle Marx
|
2021 |
Osório, Luiz Camillo |
| Material relations : Torres-García and concrete art from Argentina
|
2021 |
Vicario, Niko |
| Technical studies of concrete art from the Río de la Plata region
|
2021 |
Marte, Fernando |
| Experimentation and materiality : constructing the Brazilian Artwork, 1950s-60s
|
2021 |
Souza, Luiz Antonio Catafesto de |
| Judith Lauand's sketchbooks and the visualization of concrete form in 1954
|
2021 |
Edelman, Aliza |
| Waldemar Cordeiro and Grupo Forma : the Roman road to São Paulo concrete art
|
2021 |
Espada, Heloísa |
| Looking to the past to paint the future : innovative anachronisms in the work of Alfredo Volpi and Hélio Oiticica
|
2021 |
Ramírez, Marie Carmen |
| The myth of purity : new material histories of concrete art in Argentina, Brazil and Uruguay : introduction
|
2021 |
Gilbert, Zanna |
| A history of the field
|
2021 |
Le Blanc, Aleca |
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