Purity is a myth the materiality of concrete art from Argentina, Brazil, and Uruguay
Introduction: The Myth of Purity: New Material Histories of Concrete Art / Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk -- Part I. New Perspectives on the Emergence of Concrete Art from Argentina, Brazil, and Uruguay -- Material Relations: Torres-García and Concrete Art from Arge...
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Los Angeles
Getty Research Institute, Getty Conservation Institute
2021
|
| Schriftenreihe: | Issues & debates
|
| Schlagworte: | |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Zusammenfassung: | Introduction: The Myth of Purity: New Material Histories of Concrete Art / Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk -- Part I. New Perspectives on the Emergence of Concrete Art from Argentina, Brazil, and Uruguay -- Material Relations: Torres-García and Concrete Art from Argentina / Niko Vicario -- Rhod Rothfuss and the marco recortado: A Synthesis of Cultural Traditions in the Río de la Plata Region / María Amalia García -- Waldemar Cordeiro and Grupo Forma: The Roman Road to São Paulo Concrete Art / Heloisa Espada -- Part II. Generative Processes in Concrete Art -- Cut, Fuse, Fissure: Planarity circa 1954 / Irene V. Small -- Judith Lauand's Sketchbooks and the Visualization of Concrete Form in 1954 / Aliza Edelman -- Hermelindo Fiaminghi's Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto's Tempera / Pia Gottschaller, Tom Learner, and Joy Mazurek -- Part III. Concretizing Color -- Energy, Legibility, Purity: Color in Argentine Concrete Art / Idurre Alonso, Pia Gottschaller, C.C. Marsh, Andrew Perchuk, and Lynn Lee -- Looking to the Past to Paint the Future: Innovative: Anachronisms in the Work of Alfredo Volpi and Hélio Oiticica / Mari Carmen Ramírez and Corina E. Rogge -- The Adventure of Color in Brazilian Art: Aluísio Carvão, Hélio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio -- Part IV. Concrete Art on Paper -- Printing Invention: Artwork, Project, or Device / Isabel Plante -- On Kissing and Biting: The Material Impressions of Language and Design in the Work of Willys de Castro and Hermelindo Fiaminghi / Zanna Gilbert -- Part V. Analyzing Concrete Art: Technical Overviews -- Experimentation and Materiality: Constructing the Brazilian Artwork, 1950s-60s / Luiz A. C. Souza, Alessandra Rosado, Yacy-Ara Froner, Rita L. Rodrigues, Maria Alice Sanna Castelo Branco, Giula Giovani, and Vítor P. Amaral -- Argentine Concrete Art, the First Decade: Between the Material and Formal Tradition and Innovation / Pino Monkes -- Technical Studies of Concrete Art from the Río de La Plata Region / Fernando Marte -- Part VI. The Reception of Concrete Art in Museums and Academia -- A History of the Field / Aleca Le Blanc -- Part VII. Chronologies -- Paint Production in Argentina, 1940s-60 / Florencia Castella and Sofía Frigerio -- Paint Production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa "Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s"-- |
|---|---|
| Beschreibung: | 325 Seiten Illustrationen 26 cm |
| ISBN: | 9781606067239 978-1-60606-723-9 1606067230 |