La noble simplicité - wrocławska rezydencja Fryderyka II Hohenzollerna a zjawisko klasycyzacji rokoka
The restrained and dispassionate in its expression decoration of the interior of Frederick II’s Tract in Wrocław (1751–1753) did not, as previously believed, result from economizing, but constituted an inherent element in the process of Rococo classicizing, at the time also spreading throughout mona...
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| Veröffentlicht in: | Biuletyn historii sztuki / Państwowy Instytut Sztuki ; Stowarzyszenie Historyków Sztuki |
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| 1. Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | pol |
| Veröffentlicht: |
2020
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Tag hinzufügen | Zusammenfassung: | The restrained and dispassionate in its expression decoration of the interior of Frederick II’s Tract in Wrocław (1751–1753) did not, as previously believed, result from economizing, but constituted an inherent element in the process of Rococo classicizing, at the time also spreading throughout monarch’s native France. Representing the Enlightenment frame of mind, Frederick II appreciated Palladio’s architecture; the Wrocław facility’s architect and designer of its interior decoration Johann Boumann derived predilection for rational-form architecture from his native Netherlands, and the author of the sculpture decoration Johann Michel Hoppenhaupt had preference for symmetrical forms. Furthermore, masonic motifs appeared in the iconographic programme of the Tract’s Library. However, a broad margin for Rococo fantasy was reserved in some of the still lifes (Augustin Dubuisson) in overdoors and panneaux. |
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| Beschreibung: | Illustrationen |
| ISSN: | 0006-3967 |