Filtraciones conversaciones sobre el arte en Chile (1960-2000)
Prólogo / Federico Galende -- Gaspar Gala -- José Balmes -- Francisco Brugnoli -- Virginia Errázuriz -- Justo Pastor Mellado -- Eugenio Dittborn -- Gonzalo Díaz -- Nelly Richard -- Diamela Eltit -- Pablo Oyarzún -- Adriana Valdés -- Carlos Altamirano -- Guillermo Machuca -- Pablo Langois -- Carlos P...
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| Format: | UnknownFormat |
| Sprache: | spa |
| Veröffentlicht: |
Santiago de Chile
Alquimia Ediciones
2019
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| Ausgabe: | Tercera edición |
| Schriftenreihe: | Colección Umbrales de memoria
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| Schlagworte: | |
| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | Prólogo / Federico Galende -- Gaspar Gala -- José Balmes -- Francisco Brugnoli -- Virginia Errázuriz -- Justo Pastor Mellado -- Eugenio Dittborn -- Gonzalo Díaz -- Nelly Richard -- Diamela Eltit -- Pablo Oyarzún -- Adriana Valdés -- Carlos Altamirano -- Guillermo Machuca -- Pablo Langois -- Carlos Pérez Villalobos -- Sergio Rojas -- Gonzalo Arqueros -- Willy Thayer -- Samy Benmayor -- Arturo Duclos -- Francisco Casas -- Sergio Parra -- Pedro Lembel-Camen Berenguer -- Nury González -- Mario Soro -- Jorge Cerezo -- Marcelo Mellado -- Matías Rivas -- Patricia Hamilton -- Rodrigo Zúñiga -- Mario Navarro -- Ana María Risco -- Pablo Ferrer -- Bruno Cuneo -- Miguel Valderrama -- Camilo Yáñez -- Iván Navarro -- Galería Metropolitana -- Sebastián Preece -- Trabajos de Utilidad Pública (TUP) -- Demian Schopf -- Claudio Correa -- Máximo Corvallán -- Víctor Hugo Robles A testimonial reconstruction by Federico Galende Pellegrini (Rosario, 1965) about the relationship between art and politics through dialogues with artists, in what could be considered a critical dictionary of Chilean art covering the entire second half of the 20th century: from the Informalism and its hegemony during the seventies, to the tensions of an "ephemeral" and object art. From the emergence of the Advanced Scene in the early eighties in the dark era of dictatorial resistance, towards performance, the emergence of the new wave, the return to painting, the permanence of engraving and the new critical and heterogeneous scene of the first years of transition, whose voices and practices continue until today |
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| Beschreibung: | N.[nota] del E.[editor]: This volume contains in its entirety the volumes Filtration I, II and III, originally published in co-edition by the Fourth Own-ARCIS seals in 2007, 2009 and 2011 respectively. Various orthographic and referential amendments have been made, and the provision between question and answer has been modified in order to make this journey through Chilean art more fluid. At the request of the author, the interviewees' reviews - some already deceased - have not been updated, in order to account for their work production at the time the dialogues were made. Nor have certain chronological and referential errors been modified in the citation of the interviewees, typical of the coffee table, spirit that goes through all these conversations.ʺ (HKB translation) --Page [7] |
| Beschreibung: | 634 Seiten Illustrationen 25 cm |
| ISBN: | 9789569974472 978-956-9974-47-2 9569974478 956-9974-47-8 |