The Miralles projection thinking and representation in the architecture of Enric Miralles
This book explains both the origin and evolution of Miralles' system of representation, from his time as a student at the Barcelona School of Architecture to the latest projects he designed with Benedetta Tagliabue, including the heroic period with Carme Pinos. With previously unpublished drawi...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Novato
Applied Research and Design Publishing
2020
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Zusammenfassung: | This book explains both the origin and evolution of Miralles' system of representation, from his time as a student at the Barcelona School of Architecture to the latest projects he designed with Benedetta Tagliabue, including the heroic period with Carme Pinos. With previously unpublished drawings from the architect, it demonstrates on a fundamental level how the evolution of representation runs parallel to that of architecture, thus illustrating its indissolubility and mutual interdependence.0It is impossible to dissociate the evolution of the architecture of Enric Miralles from the development of his own system of representation. Beginning from a position inherited from his training at the Barcelona School of Architecture and his practice at the office of Viaplana-Pinon, where he acquired a liking for precision in drafting and a graphic style based exclusively on lines of the same thickness, Miralles soon developed a method defined by a customised use of orthographic projections, connected to a fragmented conception of the architectural plan and space itself It is impossible to dissociate the evolution of Enric Miralles' architecture from the development of his own system of representation. Founded on an initial position inherited from his training at the Barcelona School of Architecture and his practice at the office of Viaplana-Piñón, where he acquired a liking for precision in drawing and a graphic style based exclusively on lines of the same thickness, Miralles soon developed a method defined by a customised use of orthographic projections, connected to a fragmented conception of the architectural plan and space itself. The Miralles Projection explains both the origin and evolution of Miralles' system of representation, from his time as an architecture student and collaborator at Viaplana-Piñón to the latest projects he designed with Benedetta Tagliabue, including the important period with Carme Pinós. With a curated selection of previously unpublished drawings, it demonstrates on a fundamental level how the evolution of his architecture ran parallel to that of representation, thus illustrating their indissolubility and mutual interdependence |
|---|---|
| Beschreibung: | 181, 36 ungezählte Seiten Illustrationen, Pläne 27 cm |
| ISBN: | 9781943532674 978-1-943532-67-4 1943532672 1-943532-67-2 |