A cidade da Bahia das baianas e dos baianos também
A cidade da Bahia: das baianas e dos baianos / Emanoel Araujo -- Das bailanas -- E dos baianos tambem -- Genaro de Carvalho, 1926-1971 -- Carlos Bastos, 1925-2004 Waldeloir Rego, 1930-2001 -- Rubén Valentim, 1922-1991 -- José Adário Dos Santos, 1947 -- Anexos: A rotonda porcina de Jesús (a Chapadist...
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| Format: | UnknownFormat |
| Sprache: | por |
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São Paulo
Museu Afro Brazil
2018
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| Ausgabe: | 1a. edição |
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Tag hinzufügen | Zusammenfassung: | A cidade da Bahia: das baianas e dos baianos / Emanoel Araujo -- Das bailanas -- E dos baianos tambem -- Genaro de Carvalho, 1926-1971 -- Carlos Bastos, 1925-2004 Waldeloir Rego, 1930-2001 -- Rubén Valentim, 1922-1991 -- José Adário Dos Santos, 1947 -- Anexos: A rotonda porcina de Jesús (a Chapadista), Una mulata famosa do Brasil colonial (Anna de Góes Bettencourt), Oswaldo Alcãntara: poema a Jorge Amado The exhibition honors the city of Bahia through its historic, artistic and cultural personages and imaginary. The central nucleus of the exhibition is composed of Bahian modernism, represented here by a robust selection of paintings by Carlos Bastos (1925-2004), wall hangings by Genaro Antônio Dantas de Carvalho (Salvador, Bahia, 1926-1971), iron sculptures or ferramentas de santoʺ, linked to Afro-Brazilian religiosity of José Adário dos Santos (1947), sculptures and engravings by Rubem Valentim (19221991), besides jewelry designed by Waldeloir Rego (1930-2001). The baiana representation is present in the scultures of Noêmia Mourão, the silk Richelieu dresses, plus dozens of ceramic, wood and porcelain. Carmen Miranda, The remarkable little girlʺ who celebrated the Bahian figure around the world is also honored with the exhibition of magazine photographs, enameled porcelain iconography, and an original dress. The event also included photographs of other illustrious Bahians such as Marta Rocha (1936), Mis Brasil in 1964, and Helena Ignez, muse of Cinema Novo. Photographs and paintings of Bahian personalities of the twentieth century as the writer Jorge Amado (1912-2001), the composer Dorival Caymmi, here honored in a panel by artist Regina Silveira, Mother Menininha do Gantois (1894-1986), among others, add to the plaster casted busts of tailors João de Deus do Nascimento and Luiz Gonzaga das Virgens, and soldiers Lucas Dantas Amorim Torres e Manoel Faustino dos Santos Lira, created in 2004 by the artist Herbert Magalhães. These are heroes of the Tailors' Uprising, also known as the Bahian Conjuration or the Bahian Inconfidence, a popular social uprising in 1798, inspired by the ideas of the French Revolution. The Bahian expression of Baroque art, which in Brazil differed from the European matrix, comprising colonial polychromatic wood statutes, silver religious objects and a selection of digital edited photographs of barque art by Silvio Robatto, oils on canvas by 18th century Bahian painters such as Joaquim da Rocha (1737-1807), Teófilo de Jesus (1758-1847) and Veríssimo de Freitas (1758-1806), tiles, books and magazines, and an extensive panorama of the city of Salvador by Floro Freire. The exhibition also features a set of photographs by Mário Cravo Neto, and 19th century watercolors by the English artist Maria Callcott Graham (1785-1842), depicting the daily life of Salvador's street vendor Baianas |
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| Beschreibung: | Ausstellungsdaten ermittelt: de 08 de maio a 1° de setembro de 2019, Museu Afro Brasil, São Paulo |
| Beschreibung: | 253 Seiten 32 cm |
| ISBN: | 9788563972248 978-85-63972-24-8 8563972243 85-63972-24-3 |