New places Shakespeare and civic creativity
Cover page -- Halftitle page -- Series page -- Title page -- Copyright page -- CONTENTS -- ILLUSTRATIONS -- CONTRIBUTORS -- PREFACE Paul Edmondson, The Shakespeare Birthplace Trust -- INTRODUCTION -- PART ONE After Garrick -- 1 Reviving Garrick -- 2 A Shakespeare Masque: Reflections on an Anniversar...
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| Weitere Verfasser: | , |
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Publishing PLC
2018
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| Schriftenreihe: | The Arden Shakespeare
Drama & performance studies |
| Schlagworte: | |
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Tag hinzufügen | Zusammenfassung: | Cover page -- Halftitle page -- Series page -- Title page -- Copyright page -- CONTENTS -- ILLUSTRATIONS -- CONTRIBUTORS -- PREFACE Paul Edmondson, The Shakespeare Birthplace Trust -- INTRODUCTION -- PART ONE After Garrick -- 1 Reviving Garrick -- 2 A Shakespeare Masque: Reflections on an Anniversary Commission with Sally Beamish and Carol Ann Duffy -- Commissioning -- Words -- Music -- 3 Shakespeare Unbard: Negotiating Civic Shakespeare -- PART TWO New Places -- New Forms -- 4 Communities in the Theatre and in the World: Three Ballets and a Masque -- Prelude 1: the arts and the civic -- Prelude 2: cultures of ballet, from the Romanovs to YouTube -- Jean-Christophe Maillot, The Taming of the Shrew Music selected from Dmitri Shostakovich The Bolshoi Ballet, 2014, 2016 -- Christopher Wheeldon, The Winter's Tale Music by Joby Talbot The Royal Ballet, 2014, 2016 -- David Bintley, The Tempest Music by Sally Beamish Birmingham Royal Ballet, 2016 -- Carol Ann Duffy and Sally Beamish, A Shakespeare Masque , 2016 -- 5 Seeing More Clearly with the Eyes of Love: A Liturgy for Voices Based on A Midsummer Night's Dream -- Introduction -- The liturgy -- Appendix: a key to the voices (for those who would like it) -- 6 The Marina Project -- Introduction -- Pericles now -- Marina: towards a new play, three extracts -- Going forward -- PART THREE New Places:Europe -- 7 Shakespeare's German Place: Weimar and the Jubilees,1 864/2014 -- Introduction -- Celebrating Shakespeare -- Questioning Shakespeare -- Talking Shakespeare -- 8 On Romeo and Juliet and Civic Crisis in Contemporary Verona -- Towards crisis point -- 23 April 2016 -- The summer -- Almost 'fringe' in the heart of town -- Stage 1: The Two Gentlemen of Verona -- Stage 2: R&J Q1 -- Stage 3: R&J Q2 -- The Verona Plays Project -- 9 Shylock in the Thinking Machine: Civic Shakespeare and the Future of Venice Shakespeare and the future of Venice -- A critical history of the Ghetto of Venice -- The Ghetto as performing space -- The Merchant in Venice -- A new Belmont: Shakespeare as civic capital -- 10 Mastersinger Shakespeare! -- Anniversaries -- Inspirations -- Ecstatic dreams -- Mastersingers -- Dedications -- Unions -- PART FOUR New Places: North America -- 11 New Places for Civic Shakespeare in America -- 12 Shakespeare and Theatre at the Civic Intersection -- 'We, sir, we are the diverse America' -- 'The Theater must always be a safe and special place' -- Intersectionality -- Hamilton: An American Musical, 2016 -- 'Do you call yourself a Shakespearean?' -- Born at the intersection: the Shakespeare Center of Los Angeles -- Intersectional praxis: practical outcomes -- Macbeth: Will Power to Youth, 2016 -- Shakespeare and theatre at the intersection -- Afterword: Civic Shakespeares -- NOTES -- INDEX |
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| Beschreibung: | xxiii, 292 Seiten Illustrationen, Noten |
| ISBN: | 9781474244558 978-1-4742-4455-8 9781474244541 978-1-4742-4454-1 |