From the masterpieces to rooms full of art - and back?
With vivid memories of his first visit to the Scottish National Gallery in the 1970s and his initial encounter with Hugo van der Goes' The Trinity Altarpiece, Rembrandt's A Woman in Bed, Velazquez's An Old Woman Cooking Eggs and Degas' Diego Martelli, Robert Storr discusses the s...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Edinburgh
National Galleries of Scotland in association with The University of Edinburgh
2017
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| Schriftenreihe: | The Watson Gordon Lecture
2015 |
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Tag hinzufügen | Zusammenfassung: | With vivid memories of his first visit to the Scottish National Gallery in the 1970s and his initial encounter with Hugo van der Goes' The Trinity Altarpiece, Rembrandt's A Woman in Bed, Velazquez's An Old Woman Cooking Eggs and Degas' Diego Martelli, Robert Storr discusses the shifting balance of museum collections from historically 'certified' classics to art whose status and significance remains in active contention and from singular 'treasures' to ensembles that speak to the larger scope of an artist's endeavour |
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| Beschreibung: | 48 Seiten Illustrationen |
| ISBN: | 9781911054016 978-1-911054-01-6 |