˜Theœ uses of photography art, politics, and the reinvention of a medium

"The uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes o...

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Körperschaft: Museum of Contemporary Art San Diego (Herausgebendes Organ)
Weitere Verfasser: Dawsey, Jill (HerausgeberIn), Antin, David (VerfasserIn von Zusatztexten), Rodenbeck, Judith F. (VerfasserIn von Zusatztexten), Young, Benjamin J. (VerfasserIn von Zusatztexten), Lee, Pamela M. (VerfasserIn von Zusatztexten)
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Sprache:eng
Veröffentlicht: Oakland, California University of California Press 2016
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Zusammenfassung:"The uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today."--Page 4 of cover
Beschreibung:Literaturverzeichnis Seite 205 - 207
Beschreibung:223 Seiten
Illustratiionen
28 cm
ISBN:9780520290594
978-0-520-29059-4