Chung Chang-Sup

Consisting of works produced between 1985 and 2005, this exhibition offers viewers a comprehensive insight into Chung’s development over the course of his later career. Although Chung experimented liberally with abstraction, oil painting, and other facets of Western modernism for a brief period afte...

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1. Verfasser: Còng, C'ang-sòp (KünstlerIn)
Körperschaft: Galerie Perrotin (Herausgebendes Organ)
Weitere Verfasser: Oh, Kwang-Soo (VerfasserIn von Zusatztexten)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: Paris Éditions Dilecta 2015
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Beschreibung
Zusammenfassung:Consisting of works produced between 1985 and 2005, this exhibition offers viewers a comprehensive insight into Chung’s development over the course of his later career. Although Chung experimented liberally with abstraction, oil painting, and other facets of Western modernism for a brief period after graduating in 1951 from the College of Fine Arts at Seoul National University, he subsequently went on to break away from both these Western precedents, as well as Japanese and Chinese influences. It was not until the 1970s, however, that Chung, along with his compatriots Ha Chong-Hyun, Park Seo-Bo, Lee Ufan, and others rallied around the Dansaekhwa movement. Chung’s trademark might be said to be the beige hanji paper that he adopted after 1975. The Tak series that opens this exhibition — named for the mulberry paper used by Chung — shows how the supple, pliant surface offers numerous, delicate textural possibilities that retain a trace of the artist’s hand.
Beschreibung:Text englisch
Beschreibung:192 ungezählte Seiten
31 cm
ISBN:9791090490987
979-10-90490-98-7