Chung Chang-Sup
Consisting of works produced between 1985 and 2005, this exhibition offers viewers a comprehensive insight into Chung’s development over the course of his later career. Although Chung experimented liberally with abstraction, oil painting, and other facets of Western modernism for a brief period afte...
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Format: | UnknownFormat |
Sprache: | eng |
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Paris
Éditions Dilecta
2015
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Zusammenfassung: | Consisting of works produced between 1985 and 2005, this exhibition offers viewers a comprehensive insight into Chung’s development over the course of his later career. Although Chung experimented liberally with abstraction, oil painting, and other facets of Western modernism for a brief period after graduating in 1951 from the College of Fine Arts at Seoul National University, he subsequently went on to break away from both these Western precedents, as well as Japanese and Chinese influences. It was not until the 1970s, however, that Chung, along with his compatriots Ha Chong-Hyun, Park Seo-Bo, Lee Ufan, and others rallied around the Dansaekhwa movement. Chung’s trademark might be said to be the beige hanji paper that he adopted after 1975. The Tak series that opens this exhibition — named for the mulberry paper used by Chung — shows how the supple, pliant surface offers numerous, delicate textural possibilities that retain a trace of the artist’s hand. |
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Beschreibung: | Text englisch |
Beschreibung: | 192 ungezählte Seiten 31 cm |
ISBN: | 9791090490987 979-10-90490-98-7 |