Contemporary Sino-French cinemas absent fathers, banned books, and red balloons
The Sino-French as métissage : Cheng Yu-Chieh's Yang yang -- Intertextuality as métissage in Tsai Ming-liang's Sino-French films : What time is it there? and Face -- The intertextuality of the remake : Hou Hsiao-hsien's Flight of the red balloon -- The translations of Dai Sijie's...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Honolulu
University of Hawaiʻi Press
2016
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| Schriftenreihe: | Critical interventions
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| Schlagworte: |
Geschichte 2000-
> Motion pictures / China / History
> Motion pictures / Taiwan / History
> Coproduction (Motion pictures, television, etc.) / China
> Coproduction (Motion pictures, television, etc.) / Taiwan
> Coproduction (Motion pictures, television, etc.) / France
> Coproduction (Motion pictures, television, etc.)
> Motion pictures
> Film
> Geschichte
> Koproduktion
> China
> France
> Taiwan
> Frankreich
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| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | The Sino-French as métissage : Cheng Yu-Chieh's Yang yang -- Intertextuality as métissage in Tsai Ming-liang's Sino-French films : What time is it there? and Face -- The intertextuality of the remake : Hou Hsiao-hsien's Flight of the red balloon -- The translations of Dai Sijie's Balzac and The little Chinese seamstress -- Imitating Frenchness in Emily Tang Xiaobai's Conjugation and Jia Zhangke's The world Includes bibliographical references (page 241-258) and index |
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| Beschreibung: | x, 271 pages illustrations 24 cm |
| ISBN: | 9780824851583 978-0-8248-5158-3 |