Ishiuchi Miyako - postwar shadows
Against the grain: Ishiuchi Miyako and the Yokosuka trilogy / Amanda Maddox, S. 16<br>Miyako and women (including me) / Itō Hiromi, S. 78<br>Second skin / Miryam Sas
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| Sprache: | eng |
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Los Angeles
The J. Paul Getty Museum
2015
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| Schlagworte: |
Ishiuchi, Miyako 1947- / Exhibitions
> Ishiuchi, Miyako
> Geschichte 1900-2000
> Geschichte
> Documentary photography / Exhibitions
> Atomic bomb victims / Pictorial works / Exhibitions / Clothing / Japan / Hiroshima-shi
> Personal belongings / Pictorial works / Exhibitions / History / 20th century / Japan / Hiroshima-shi
> Hiroshima-shi (Japan) / Pictorial works / Exhibitions / History / Bombardment, 1945
> Ausstellungskatalog
> J. Paul Getty Museum
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Tag hinzufügen | Zusammenfassung: | Against the grain: Ishiuchi Miyako and the Yokosuka trilogy / Amanda Maddox, S. 16<br>Miyako and women (including me) / Itō Hiromi, S. 78<br>Second skin / Miryam Sas A maverick in the history of photography, lshiuchi Miyako burst onto the photography scene in Tokyo in the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, lshiuchi ranks as one of the most significant photographers working in Japan today. Spurred by her contentious relationship with her hometown, Yokosuka - site of an important American naval base since 1945 - lshiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of lshiuchi's extended exploration of American occupation and the shadows it cast over postwar Japan. lshiuchi has since addressed the theme of occupation both indirectly - through her photographs of scars, skin, and other markers of time on the human body - and, more explicitly, with her Images of garments and accessories once owned by victims of the atomic blast in Hiroshima.0Essays featured in this volume reveal the past as the wellspring of lshiuchi's work and the present moment as her principal subject. 0Exhibition: J. Paul Getty Museum, Los Angeles, USA (06.10.2015-21.02.2016) |
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| Beschreibung: | Includes bibliographical references and index This publication is issued on the occasion of the exhibition Ishiuchi Miyako: Postwar Shadows, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 6, 2015, to February 21, 2016 |
| Beschreibung: | 192 Seiten 27 cm |
| ISBN: | 9781606064559 978-1-60606-455-9 |