The ghosts of the avant-garde(s) exorcising experimental theater and performance
"Pronouncements such as "the avant-garde is dead," argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest "avant-garde pluralities" and how an ap...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Ann Arbor, Mich.
Univ. of Michigan Press
2013
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| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | "Pronouncements such as "the avant-garde is dead," argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest "avant-garde pluralities" and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. The Ghosts of the Avant-Garde(s) offers a strikingly new perspective not only on key controversies and debates within avant-garde studies but also on contemporary forms of avant-garde expression within a global political economy"-- |
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| Beschreibung: | IX, 234 S. Ill. |
| ISBN: | 9780472118748 978-0-472-11874-8 0472118749 0-472-11874-9 9780472029365 |