Locating Renaissance art

Renaissance art history is traditionally identified with Italian centers of production, and Florence in particular. Instead, this book explores the dynamic interchange between European artistic centers and artists and the trade in works of art. It also considers the impact of differing locations on...

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Weitere Verfasser: Richardson, Carol M. (BerichterstatterIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: New Haven, Conn. u.a. Yale Univ. Press u.a. 2007
Ausgabe:1. publ.
Schriftenreihe:Renaissance art reconsidered 2
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Zusammenfassung:Renaissance art history is traditionally identified with Italian centers of production, and Florence in particular. Instead, this book explores the dynamic interchange between European artistic centers and artists and the trade in works of art. It also considers the impact of differing locations on art and artists and some of the economic, political, and cultural factors crucial to the emergence of an artistic center. During c.1420-1520, no city or court could succeed in isolation and so artists operated within a network of interests and local and international identities. The case studies presented in this book portray the Renaissance as an exciting international phenomenon, with cities and courts inextricably bound together in a web of economic and political interests.
Beschreibung:Includes bibliographical references and index
Beschreibung:334 S.
zahlr. Ill.
ISBN:0300121881
0-300-12188-1
9780300121889
978-0-300-12188-9