Vase painting, gender, and social identity in archaic Athens
Spectators at the sides of narrative vase paintings have long been at the margins of scholarship, but a study of their appearance shows that they provide a model for the ancient viewing experience. They also reflect social and gender roles in archaic Athens. This study explores the phenomenon of spe...
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Format: | UnknownFormat |
Sprache: | eng |
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Cambridge u.a.
Cambridge Univ. Press
2006
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Ausgabe: | 1. publ. |
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Online Zugang: | Inhaltsverzeichnis |
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Zusammenfassung: | Spectators at the sides of narrative vase paintings have long been at the margins of scholarship, but a study of their appearance shows that they provide a model for the ancient viewing experience. They also reflect social and gender roles in archaic Athens. This study explores the phenomenon of spectators through a database built from a census of the Corpus Vasorum Antiquorum, which reveals that the figures flourished in Athenian vase painting during the last two-thirds of the sixth century BCE. Using models developed from psychoanalysis and the theory of the gaze, ritual studies, and gender studies, Stansbury-O'Donnell shows how these 'spectators' emerge as models for social and gender identification in the archaic city, encoding in their gestures and behavior archaic attitudes about gender and status. |
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Beschreibung: | XIV, 316 S. Ill., graph. Darst. |
ISBN: | 0521853184 0-521-85318-4 9780521853187 978-0-521-85318-7 |