The subject of documentary
Social Subjectivity -- Early Newsreel: The Construction of a Political Imaginary for the New Left -- The "Real" in Fiction: Brecht, Medium Cool, and the Refusal of Incorporation -- Warring Images: Stereotype and American Representations of the Japanese, 1941-1991 -- Lost, Lost, Lost: Mekas...
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Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
Minneapolis, Minn.
Univ. of Minnesota Press
2004
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Schriftenreihe: | Visible evidence
16 |
Schlagworte: | |
Online Zugang: | Table of contents Inhaltsverzeichnis |
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Zusammenfassung: | Social Subjectivity -- Early Newsreel: The Construction of a Political Imaginary for the New Left -- The "Real" in Fiction: Brecht, Medium Cool, and the Refusal of Incorporation -- Warring Images: Stereotype and American Representations of the Japanese, 1941-1991 -- Lost, Lost, Lost: Mekas as Essayist -- The Subject in Theory -- Charged Vision: The Place of Desire in Documentary Film Theory -- The Subject in History: The New Autobiography in Film and Video -- Filling Up the Hole in the Real: Death and Mourning in Contemporary Documentary Film and Video -- Documentary Disavowals and the Digital -- Technology and Ethnographic Dialogue -- The Address to the Other: Ethical Discourse in Everything's for You -- Modes of Subjectivity -- New Subjectivities: Documentary and Self-Representation in the Post-Verite Age -- The Electronic Essay -- Video Confessions -- Domestic Ethnography and the Construction of the "Other" Self -- The End of Autobiography or New Beginnings? (or, Everything You Never Knew You Would Know about Someone You Will Probably Never Meet) |
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Beschreibung: | Essays either previously published or previously presented at various conferences |
Beschreibung: | XXIV, 286 S. Ill. |
ISBN: | 9780816634408 978-0-8166-3440-8 9780816634415 978-0-8166-3441-5 0816634408 0-8166-3440-8 0816634416 0-8166-3441-6 |