˜Theœ subject of documentary

Social Subjectivity -- Early Newsreel: The Construction of a Political Imaginary for the New Left -- The "Real" in Fiction: Brecht, Medium Cool, and the Refusal of Incorporation -- Warring Images: Stereotype and American Representations of the Japanese, 1941-1991 -- Lost, Lost, Lost: Mekas...

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Bibliographische Detailangaben
1. Verfasser: Renov, Michael (VerfasserIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: Minneapolis, Minn. Univ. of Minnesota Press 2004
Schriftenreihe:Visible evidence 16
Schlagworte:
Online Zugang:Table of contents
Inhaltsverzeichnis
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Beschreibung
Zusammenfassung:Social Subjectivity -- Early Newsreel: The Construction of a Political Imaginary for the New Left -- The "Real" in Fiction: Brecht, Medium Cool, and the Refusal of Incorporation -- Warring Images: Stereotype and American Representations of the Japanese, 1941-1991 -- Lost, Lost, Lost: Mekas as Essayist -- The Subject in Theory -- Charged Vision: The Place of Desire in Documentary Film Theory -- The Subject in History: The New Autobiography in Film and Video -- Filling Up the Hole in the Real: Death and Mourning in Contemporary Documentary Film and Video -- Documentary Disavowals and the Digital -- Technology and Ethnographic Dialogue -- The Address to the Other: Ethical Discourse in Everything's for You -- Modes of Subjectivity -- New Subjectivities: Documentary and Self-Representation in the Post-Verite Age -- The Electronic Essay -- Video Confessions -- Domestic Ethnography and the Construction of the "Other" Self -- The End of Autobiography or New Beginnings? (or, Everything You Never Knew You Would Know about Someone You Will Probably Never Meet)
Beschreibung:Essays either previously published or previously presented at various conferences
Beschreibung:XXIV, 286 S.
Ill.
ISBN:9780816634408
978-0-8166-3440-8
9780816634415
978-0-8166-3441-5
0816634408
0-8166-3440-8
0816634416
0-8166-3441-6