Manet, Flaubert, and the emergence of modernism blurring genre boundaries
"Manet, Flaubert, and the Emergence of Modernism weaves together art history and literary criticism in a joint study of the canonical "fathers" of modernism. In this work, Arden Reed contests the Greenbergian view that equates modernism with purity of formal means. Modernism, he argue...
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Tag hinzufügen | Zusammenfassung: | "Manet, Flaubert, and the Emergence of Modernism weaves together art history and literary criticism in a joint study of the canonical "fathers" of modernism. In this work, Arden Reed contests the Greenbergian view that equates modernism with purity of formal means. Modernism, he argues, is a matter of genre bending and hybridization, as well as movements between text and image. Focusing on key works by Manet and Flaubert, Reed articulates a novel understanding of the cultural imagination of early modernism. He shows how Manet and Flaubert actively mix and contaminate their work: Flaubert with images, Manet with narration. Moreover, Reed extends the argument another hundred years, to the late 1960s, claiming we cannot understand twentieth-century modernism so long as we remain locked within single disciplines."--Jacket. |
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| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVI, VIII, 347 S. zahlr. Ill. 1 Tafel |
| ISBN: | 0521815053 0-521-81505-3 |