Joyce, decadence, and emancipation
Modernism has long been seen as either a symptom of decadence or a sign of emancipation. Vivian Heller argues that Joyce's writing cannot be categorized as either decadent or emancipatory because it is predicated on the dialectical intimacy of these two terms. Heller relies on Joyce's chan...
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| 1. Verfasser: | |
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
Urbana u.a.
Univ. of Illinois Press
1995
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| Schriftenreihe: | An Illini book
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| Schlagworte: |
Joyce, James <1882-1941> - Pensée politique et sociale
> Joyce, James <1882-1941>
> Political and social views
> Joyce, James
> Geschichte 1900-2000
> Decadentisme
> Dublin (Irlande) dans la littérature
> Décadence dans la littérature
> Décadentisme - Irlande
> Liberté dans la littérature
> Modernisme (Littérature) - Irlande
> Modernisme (cultuur)
> Politique et littérature - Irlande - Histoire - 20e siècle
> Geschichte
> Decadence (Literary movement)
> Decadence in literature
> Liberty in literature
> Modernism (Literature)
> Politics and literature
> History
> Dekadenz
> Moderne
> Irland
> Dublin (Ireland)
> In literature
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Tag hinzufügen | Zusammenfassung: | Modernism has long been seen as either a symptom of decadence or a sign of emancipation. Vivian Heller argues that Joyce's writing cannot be categorized as either decadent or emancipatory because it is predicated on the dialectical intimacy of these two terms. Heller relies on Joyce's changing use of epiphany to trace the arc of his development, focusing on the negative epiphanies of Dubliners, the relativistic epiphanies of A Portrait of the Artist as a Young Man, and the retrospective epiphanies of Ulysses. |
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| Beschreibung: | 191 S. |
| ISBN: | 0252064852 0-252-06485-2 |