Critical reflections on performing arts impact evaluations
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2017 |
Williams-Burnett, Nicola Jayne |
"Audience exchange" : cultivating peer-to-peer dialogue at unfamiliar arts events
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2017 |
Pitts, Stephanie |
Representations of rural England in contemporary folk song
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2017 |
Skinner, Heather |
What's in a thang? : dancing to brand image with Miley Cyrus' multimodal dance spectacle
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2017 |
Rossolatos, George |
Digital consumers as cultural curators : the irony of Vaporwave
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2017 |
Schembri, Sharon |
Vinyl tourism : records as souvenirs of underground musical landscapes
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2017 |
Soonichsen, Tyler |
Tracing the color line in the American music market and ists effect on contemporary music marketing
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2017 |
Barretta, Paul G. |
Functions of intermediaries in arts-based cooperations
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2017 |
Sandberg, Berit |
Impact and OperaScotland, the listings and archive website
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2017 |
Fraser, Peter James |
An evaluation of performance arts in generating business value
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2017 |
Harwood, Tracy |
Second wave true Norwegain black metal : an ideologically evil music scene?
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2017 |
Wallin, Jason J. |
Cultural memory and the heritagisation of a music consumption community
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2017 |
O'Reilly, Daragh |
Here's one for the next show : the influence of four marketing tactics on consumer relationships in the performing arts
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2016 |
Hegner, Sabrina |
Increasing loyalty in the arts by bundling consumer benefits
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2016 |
Hall, Emma |
Consuming the Korean : memetic kitschization of unorthodox aesthetics in Gangnam Style
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2016 |
Hong, Soonkwan |
How are arts organizations responding to critique in the digital age?
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2016 |
Johnson, Jennifer Wiggins |
Brended app implementation the London Symphony Orchester
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2016 |
Gosling, Victoria |
A sensemaking perspective on arts sponsorship decisions
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2016 |
Daellenbach, Kate |
eWOM in the performing arts : exploratory insights for the marketing of theaters
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2016 |
Hausmann, Andrea |
Segmentation of infrequent performing arts consumers
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2016 |
Kolhede, Eric John |