Pop/Rock tonalities

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Bibliographische Detailangaben
Veröffentlicht in:	Tonality since 1950
1. Verfasser:	Biamonte, Nicole (VerfasserIn)
Pages:	1950
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2017
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Titel	Jahr	Verfasser
Pop/Rock tonalities	2017	Biamonte, Nicole
Harmonic progression as a gradual process : towards an understanding of the development of tonality in the music of Steve Reich	2017	Potter, Keith
Tonality as "irrationally functional harmony" : Thomas Adès's piano quintet	2017	Wörner, Felix
"Das Wunderland" : tonality and (political) topography in Eisler's songs around 1950	2017	Ahrend, Thomas
The macro- and micro-lives of sounds in Morton Feldman's "The viola in my lifeI"	2017	Frigyesi, Judit
The stopped clock : tape loops, synthesizers, and the transfiguration of harmony	2017	Auner, Joseph Henry
Tonality in Henze's music of the 1950s and early 1960s	2017	Scheideler, Ullrich
Saariaho, timbre, and tonality	2017	Drott, Eric
"Hungarian tonality?" : György Kurtág's "... rappel des oiseaux ..." from the perspective of Albert Simon's theory of Tonfelder	2017	Helbing, Volker
"Everything we love belongs to us" : George Rochberg's adoption of tonality	2017	Meyer, Felix
Tonality after "new tonality" : Silvestrov, Schnittke, and polystylism in the late USSR	2017	Schmelz, Peter J.
Projected resonance : tonal dimensions of microtonal composition in music by Georg Friedrich Haas	2017	Heilgendorff, Simone
Foundation or mere quotation? : conditions for applying the tonality concept to music after 1950	2017	Mosch, Ulrich
Total tonality or tonal totality : a compositional issue in music after 1945	2017	Rathert, Wolfgang
Tonality rediscovered : Oliver Knussen and the musical "Object" in the 1970s	2017	Rupprecht, Philip