Polyphonic sources, ca. 1450-1500

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Veröffentlicht in:The Cambridge history of fifteenth-century music
1. Verfasser: Schmidt-Beste, Thomas (VerfasserIn)
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Sprache:eng
Veröffentlicht: 2015
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Titel Jahr Verfasser
Music and ritual 2015 Bloxam, Jennifer
Plainsong in the age of polyphony 2015 Sherr, Richard
Recordings of fifteenth-century music 2015 Meconi, Honey
Religion and the senses in fifteenth-century Europe 2015 Pietschmann, Klaus
Oral composition in fifteenth-century music 2015 Berger, Anna Maria Busse
How did Oswald von Wolkenstein make his contrafacta? 2015 Berger, Anna Maria Busse
French lyrics and songs for the New Year, ca. 1380-1420 2015 Plumley, Yolanda
The beneficial system and fifteenth-century polyphony 2015 Starr, Pamela F.
Hearing Josquin hearing Busnoys 2015 Long, Michael
The L'homme armé tradition : and the limits of musical borrowing 2015 Rodin, Jesse
Guillaume Du Fay : evidence and interpretation 2015 Planchart, Alejandro Enrique
Making a motet : Josquin's "Ave Maria ... virgo serena" 2015 Milsom, John
Poetic humanism and music in the fifteenth century 2015 Holford-Strevens, Leofranc
Liturgical humanism : saint's Offices from the Italian peninsula in the fifteenth century 2015 Frazier, Alison Knowles
Music and musicians at the Burgundian court in the fifteenth century 2015 Fiala, David
The papal chapel in the late fifteenth century 2015 Sherr, Richard
Affective literature and sacred themes in fifteenth-century music 2015 Robertson, Anne Walters
Polyphonic sources, ca. 1450-1500 2015 Schmidt-Beste, Thomas
The fifteenth-century motet 2015 Lütteken, Laurenz
The most popular songs of the fifteenth century 2015 Fallows, David
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