| Professional women singers in the fifteenth century : a tale of two Annas
|
2015 |
Blackburn, Bonnie J. |
| Savonarola and the boys of Florence : songs and politics
|
2015 |
Macey, Patrick |
| Polyphonic sources, ca. 1400-1450
|
2015 |
Bent, Margaret |
| Sacred song in the fifteenth century : cantio, carol, lauda, Kirchenlied
|
2015 |
Strohm, Reinhard |
| The work concept
|
2015 |
Lütteken, Laurenz |
| Josquin and epistemology
|
2015 |
Rodin, Jesse |
| Improvisation as concept and musical practice in the fifteenth century
|
2015 |
Canguilhem, Philippe |
| Humanism and music in Italy
|
2015 |
Hankins, James |
| Fifteenth-century humanism and music outside Italy
|
2015 |
Strohm, Reinhard |
| Canterino and improvvisatore : oral poetry and performance
|
2015 |
Wilson, Blake |
| Music and feasts in the fifteenth century
|
2015 |
Cummings, Anthony M. |
| Musical institutions in the fifteenth century and their political contexts
|
2015 |
Pietschmann, Klaus |
| The transformative impulse
|
2015 |
Zazulia, Emily |
| Music and ritual
|
2015 |
Bloxam, Jennifer |
| Plainsong in the age of polyphony
|
2015 |
Sherr, Richard |
| Recordings of fifteenth-century music
|
2015 |
Meconi, Honey |
| Religion and the senses in fifteenth-century Europe
|
2015 |
Pietschmann, Klaus |
| Oral composition in fifteenth-century music
|
2015 |
Berger, Anna Maria Busse |
| How did Oswald von Wolkenstein make his contrafacta?
|
2015 |
Berger, Anna Maria Busse |
| French lyrics and songs for the New Year, ca. 1380-1420
|
2015 |
Plumley, Yolanda |
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