Abbas Kiarostami and film-philosophy
"This book presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work. Crossing the...
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Format: | UnknownFormat |
Sprache: | eng |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
2017
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Online Zugang: | Inhaltsverzeichnis |
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Zusammenfassung: | "This book presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work. Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, Noël Carroll, Giorgio Agamben and Martin Heidegger, bringing out the thinking at work in Kiarostami's later films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy, and Like Someone in Love"--Back cover Mathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work. Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, Noel Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostami's most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy, and Like Someone in Love |
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Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 167 Seiten 24 cm |
ISBN: | 0748699902 0-7486-9990-2 9780748699902 978-0-7486-9990-2 |