| E. C. Stedman and the Invention of Victorian Poetry (2005)
|
2016 |
Cohen, Michael C. |
| Introduction to 'Indian Angles: English Verse in Colonial India from Jones to Tagore' (2011)
|
2016 |
Gibson, Mary Ellis |
| Investigation of Sound as Artistic Material (1880)
|
2016 |
Lanier, Sidney |
| Poetics, An Essay on Poetry (1852)
|
2016 |
Dallas, Eneas Sweetland |
| 'Transcripts of the Private Heart' : Sonnet and Autobiography (2005)
|
2016 |
Phelan, Joseph P. |
| The Devided Self and the Dramatic Monologue (2012)
|
2016 |
Cronin, Richard |
| Lecture 1 and Lecture 40 from 'Lectures on Poetry' (1832-41)
|
2016 |
Keble, John |
| Robert Browning's Sacred and Legendary Art (2011)
|
2016 |
LaPorte, Charles |
| Introduction to 'Form and Faith in Victorian Poetry and Religion' (2012)
|
2016 |
Blair, Kirstie |
| The Fleshly School of Poetry : Mr. D. G. Rossetti (1871)
|
2016 |
Maitland, Thomas |
| Wilde's Fatal Effeminacy (1995)
|
2016 |
Bristow, Joseph |
| 'Declining a Name', Introduction to 'Victorian Sappho' (1999)
|
2016 |
Prins, Yopie |
| April : Poetry and Science & Nature as Culture, Culture as Society (2011)
|
2016 |
Nichols, Ashton |
| Romanticism as a Modern Tradition (1957)
|
2016 |
Langbaum, Robert Woodrow |
| 'Two Decisions', Introduction to 'Rythm and Will in Victorian Poetry' (1999)
|
2016 |
Campbell, Matthew |
| What is Poetry? (1833)
|
2016 |
Mill, John Stuart |
| What Kind of a Critical Category is 'Women's Poetry'? (2003)
|
2016 |
Thain, Marion |
| Elizabeth Barrett Browning (1992)
|
2016 |
Leighton, Angela |
| What Kind of Criticism? (1993)
|
2016 |
Armstrong, Isobel |
| Prosody Wars (2011)
|
2016 |
Martin, Meredith |
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