| From film technique : (on editing)
|
2016 |
Pudovkin, Vsevolod |
| From film language : some points in the semiotics of the cinema
|
2016 |
Metz, Christian |
| The tutor-code of classical cinema
|
2016 |
Dayan, Daniel |
| The apparatus : metapsychological approaches to the impression of reality in cinema
|
2016 |
Baudry, Jean-Louis |
| From film as art : film and reality
|
2016 |
Arnheim, Rudolf |
| From theorizing the moving image : defining the moving image
|
2016 |
Carroll, Noël |
| From the world in a frame : acting : stage vs. screen
|
2016 |
Braudy, Leo |
| From signs and meaning in the Cinema : the auteur theory : (Howard Hawks and John Ford)
|
2016 |
Wollen, Peter |
| From the material ghost : (on Keaton and Chaplin)
|
2016 |
Perez, Gilberto |
| From the genius of the System : "the whhole equation of pictures"
|
2016 |
Schatz, Thomas |
| From men, women, and chainsaws
|
2016 |
Clover, Carol |
| Feminist frameworks for horror films
|
2016 |
Freeland, Cynthia A. |
| From the imaginary signifier : identification, mirror
|
2016 |
Metz, Christian |
| From change mummified
|
2016 |
Rosen, Philip |
| Chinese cinema and transnational film studies
|
2016 |
Zhang, Yingjin |
| From film form : beyond the shot : (the cinematographic principle and the ideogram)
|
2016 |
Eisenstein, Sergei |
| From what is cinema? : the evolution of the language of cinema
|
2016 |
Bazin, André |
| From theory of film : the establishment of physical existence
|
2016 |
Kracauer, Siegfried |
| From the voice in cinema
|
2016 |
Chion, Michel |
| From sound theory/sound practice : four and a half film fallacies
|
2016 |
Altman, Rick |
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