| Visual pleasure and narrative cinema
|
2016 |
Mulvey, Laura |
| Black spectatorship : problems of identification and resitance
|
2016 |
Diawara, Manthia |
| The oppositional gaze : black female spectators
|
2016 |
Hooks, Bell |
| From the language of new media : synthetic realism and its discontents
|
2016 |
Manovich, Lev |
| Cinema 3.0 : the interactive-image
|
2016 |
Daly, Kristen |
| Quentin Tarantino's star wars? : digital cinema, media convergence, and participatory culture
|
2016 |
Jenkins, Henry |
| From unthinking eurocentrism : multiculturalism and the media : stereotype, realism, and the struggle over representation
|
2016 |
Shohat, Ella |
| The difficulty of being radical : the discipline of film studies and the postcolonial world order
|
2016 |
Yoshimoto, Mitsuhiro |
| The discourse of pictures : iconicity and film studies
|
2016 |
Prince, Stephen |
| Against "the system of the suture"
|
2016 |
Rothman, William |
| From film as art : the complete film
|
2016 |
Arnheim, Rudolf |
| From mystifying movies : Jean-Louis Baudry and "the apparatus"
|
2016 |
Carroll, Noël |
| From theory of the film : the close-up
|
2016 |
Balázs, Béla |
| Aural objects
|
2016 |
Metz, Christian |
| Film music and narrative agency
|
2016 |
Levinson, Jerrold |
| From America's corporate art : the studio authorship of Hollywood motion pictures
|
2016 |
Christensen, Jerome |
| From the world in a frame : genre: the conventions of connection
|
2016 |
Braudy, Leo |
| From film/genre : a semantic/syntactic approach to film genre
|
2016 |
Altman, Rick |
| Notes on film noir
|
2016 |
Schrader, Paul |
| Cinema/ideology/criticism$BJean-Louis Comolli and Jean Narboni
|
2016 |
Comolli, Jean-Louis |
Tag hinzufügen