| Semiotics and the cinema : Metz and Wollen
|
2016 |
Harman, Gilbert |
| From Theory of film : basic concepts
|
2016 |
Kracauer, Siegfried |
| From what is cinema? : the ontology of the photographic image
|
2016 |
Bazin, André |
| Ideological effects of the basic cinematographic apparatus
|
2016 |
Baudry, Jean-Louis |
| From the virtual life of film : an elegy for film
|
2016 |
Rodowick, D. N. |
| Statement on sound
|
2016 |
Eisenstein, Sergei |
| The voice in the cinema : the articulation of body and space
|
2016 |
Doane, Mary Ann |
| Technology and aesthetics of film sound
|
2016 |
Belton, John |
| From concepts in film theory : adaption
|
2016 |
Andrew, Dudley |
| From D. W. Griffith and the origins of American narrative film : narrative discourse and the narrator system
|
2016 |
Gunning, Tom |
| Godard and counter cinema : vent d'est
|
2016 |
Wollen, Peter |
| Notes on spectator emotion and ideological film critism
|
2016 |
Plantinga, Carl |
| Notes on the auteur theory in 1962
|
2016 |
Sarris, Andrew |
| An aesthtic of astonishment : early film and the (in)credulous spectator
|
2016 |
Gunning, Tom |
| The mulatto cyborg : imagining a multiracial future
|
2016 |
Nishime, Leilani |
| The world in the palm of your hand : Agnes Varda, Trinh T. Minh-ha, and the digital documentary
|
2016 |
Belton, John |
| Time zones and jetlag : the flows and phases of world cinema
|
2016 |
Andrew, Dudley |
| Reconceptualizing national cinema(s)
|
2016 |
Crofts, Stephen |
| Film and cultural identity
|
2016 |
Chow, Rey |
| From film technique : (on editing)
|
2016 |
Pudovkin, Vsevolod |
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