Semiotics and the cinema : Metz and Wollen
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2016 |
Harman, Gilbert |
From Theory of film : basic concepts
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2016 |
Kracauer, Siegfried |
From what is cinema? : the ontology of the photographic image
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2016 |
Bazin, André |
Ideological effects of the basic cinematographic apparatus
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2016 |
Baudry, Jean-Louis |
From the virtual life of film : an elegy for film
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2016 |
Rodowick, D. N. |
Statement on sound
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2016 |
Eisenstein, Sergei |
The voice in the cinema : the articulation of body and space
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2016 |
Doane, Mary Ann |
Technology and aesthetics of film sound
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2016 |
Belton, John |
From concepts in film theory : adaption
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2016 |
Andrew, Dudley |
From D. W. Griffith and the origins of American narrative film : narrative discourse and the narrator system
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2016 |
Gunning, Tom |
Godard and counter cinema : vent d'est
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2016 |
Wollen, Peter |
Notes on spectator emotion and ideological film critism
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2016 |
Plantinga, Carl |
Notes on the auteur theory in 1962
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2016 |
Sarris, Andrew |
An aesthtic of astonishment : early film and the (in)credulous spectator
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2016 |
Gunning, Tom |
The mulatto cyborg : imagining a multiracial future
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2016 |
Nishime, Leilani |
The world in the palm of your hand : Agnes Varda, Trinh T. Minh-ha, and the digital documentary
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2016 |
Belton, John |
Time zones and jetlag : the flows and phases of world cinema
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2016 |
Andrew, Dudley |
Reconceptualizing national cinema(s)
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2016 |
Crofts, Stephen |
Film and cultural identity
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2016 |
Chow, Rey |
Visual pleasure and narrative cinema
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2016 |
Mulvey, Laura |