| Chinese cinema and transnational film studies
|
2016 |
Zhang, Yingjin |
| From film form : beyond the shot : (the cinematographic principle and the ideogram)
|
2016 |
Eisenstein, Sergei |
| From what is cinema? : the evolution of the language of cinema
|
2016 |
Bazin, André |
| From theory of film : the establishment of physical existence
|
2016 |
Kracauer, Siegfried |
| From the voice in cinema
|
2016 |
Chion, Michel |
| From sound theory/sound practice : four and a half film fallacies
|
2016 |
Altman, Rick |
| From what is cinema : theater and cinema
|
2016 |
Bazin, André |
| The face of garbo
|
2016 |
Barthes, Roland |
| From from reverence to rape : female stars of the 1940s
|
2016 |
Haskel, Molly |
| From stars
|
2016 |
Dyer, Richard |
| Ideology, genre, auteur
|
2016 |
Wood, Robin |
| Film bodies : gender, genre, and excess
|
2016 |
Williams, Linda |
| The art cinema as a mode of film practice
|
2016 |
Bordwell, David |
| From the women who knew too much : Hitchcock and feminist theory : the master's doolhouse : rear window
|
2016 |
Modleski, Tania |
| From white : lighting for whiteness
|
2016 |
Dyer, Richard |
| The digital multitude
|
2016 |
Whissel, Kristen |
| Semiotics and the cinema : Metz and Wollen
|
2016 |
Harman, Gilbert |
| From Theory of film : basic concepts
|
2016 |
Kracauer, Siegfried |
| From what is cinema? : the ontology of the photographic image
|
2016 |
Bazin, André |
| Ideological effects of the basic cinematographic apparatus
|
2016 |
Baudry, Jean-Louis |
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