| From film technique : (on editing)
|
2016 |
Pudovkin, Vsevolod |
| From film language : some points in the semiotics of the cinema
|
2016 |
Metz, Christian |
| The tutor-code of classical cinema
|
2016 |
Dayan, Daniel |
| The apparatus : metapsychological approaches to the impression of reality in cinema
|
2016 |
Baudry, Jean-Louis |
| From film as art : film and reality
|
2016 |
Arnheim, Rudolf |
| From theorizing the moving image : defining the moving image
|
2016 |
Carroll, Noël |
| From the world in a frame : acting : stage vs. screen
|
2016 |
Braudy, Leo |
| From signs and meaning in the Cinema : the auteur theory : (Howard Hawks and John Ford)
|
2016 |
Wollen, Peter |
| From the material ghost : (on Keaton and Chaplin)
|
2016 |
Perez, Gilberto |
| From the genius of the System : "the whhole equation of pictures"
|
2016 |
Schatz, Thomas |
| From men, women, and chainsaws
|
2016 |
Clover, Carol |
| Feminist frameworks for horror films
|
2016 |
Freeland, Cynthia A. |
| From the imaginary signifier : identification, mirror
|
2016 |
Metz, Christian |
| From change mummified
|
2016 |
Rosen, Philip |
| Visual pleasure and narrative cinema
|
2016 |
Mulvey, Laura |
| Black spectatorship : problems of identification and resitance
|
2016 |
Diawara, Manthia |
| The oppositional gaze : black female spectators
|
2016 |
Hooks, Bell |
| From the language of new media : synthetic realism and its discontents
|
2016 |
Manovich, Lev |
| Cinema 3.0 : the interactive-image
|
2016 |
Daly, Kristen |
| Quentin Tarantino's star wars? : digital cinema, media convergence, and participatory culture
|
2016 |
Jenkins, Henry |
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