| The sonic: sound concepts of popular culture
|
2016 |
Wicke, Peter |
| Sound and racial politics: aural formations of race in a color-deaf society
|
2016 |
Nardi, Carlo |
| Sound studies across continents: a multidisciplinary research approach
|
2016 |
Burkhalter, Thomas |
| Sound and media studies: archiving and the construction of sonic heritage
|
2016 |
Birdsall, Carolyn |
| Soccer stadium as soundscape: sound and subjectivity
|
2016 |
Bonz, Jochen |
| The invention of the listener: an(other) history
|
2016 |
Erlmann, Veit |
| Sonic modernities: listening to diasporic urban music
|
2016 |
Maier, Carla J. |
| Records on the radio
|
2016 |
Schopp, Thomas |
| Computer game sound: from diegesis to immersion to sonic emotioneering
|
2016 |
Grimshaw-Aagaard, Mark |
| "Syd's Theme": on the conceptualization of audio production processes
|
2016 |
Fabbri, Franco |
| Distorted voices, Afrofuturism, and the aesthetic experience of the Self as Other
|
2016 |
Bonz, Jochen |
| Sound/music
|
2016 |
Diederichsen, Diedrich |
| Sound as musical material: three approaches to a material perspective on sound and music
|
2016 |
Großmann, Rolf |
| Ethnography and archival research in studying cultures of sound
|
2016 |
Bijsterveld, Karin |
| On the modern listener
|
2016 |
Quiñones, Marta García |
| Listening and digital technologies
|
2016 |
Kassabian, Anahid |
| Enhanced bass: on 1970s disco culture's listening devices
|
2016 |
Papenburg, Jens Gerrit |
| Baby monitor: parental listening and the organization of domestic space
|
2016 |
Mihm, Andrea |
| Listening as gesture and movement
|
2016 |
Théberge, Paul |
| Listener orientation
|
2016 |
Butler, Mark J. |
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