| Popular culture
|
2016 |
Hecken, Thomas |
| Sound practices
|
2016 |
Maier, Carla J. |
| Sonic epistomology
|
2016 |
Schulze, Holger |
| Over-hearing: techniques of popular listening
|
2016 |
Smith, Jacob |
| Technological sensory training
|
2016 |
Bull, Michael |
| Corporeal listening
|
2016 |
Schulze, Holger |
| From stationality to radio aesthetics: investigations on radiophonic sounds
|
2016 |
Föllmer, Golo |
| Critical listening
|
2016 |
Nardi, Carlo |
| Introduction: sound as popular culture
|
2016 |
Papenburg, Jens Gerrit |
| Sound studies versus (popular) music studies
|
2016 |
Quiñones, Marta García |
| Historicization in pop culture: from noise reduction to noise recording
|
2016 |
Mrozek, Bodo |
| Concepts of fidelity
|
2016 |
Fabbri, Franco |
| Loudness cultures: practices, conflicts, discourses
|
2016 |
Binas-Preisendörfer, Susanne |
| Existential orientation: the sound knowledge of fans
|
2016 |
Diederichsen, Diedrich |
| World music 2.0: updated and expanded
|
2016 |
Burkhalter, Thomas |
| Sonic signatures in record production
|
2016 |
Seay, John Tobin |
| Phonographic work: reading and writing sound
|
2016 |
Großmann, Rolf |
| (Re-)Mastering sonic media history
|
2016 |
Papenburg, Jens Gerrit |
| The sonic: sound concepts of popular culture
|
2016 |
Wicke, Peter |
| Sound and racial politics: aural formations of race in a color-deaf society
|
2016 |
Nardi, Carlo |
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