Italian style fashion & film from early cinema to the digital age

"Provides an historical and theoretical framework to understand the different typologies and meanings of costume in film, going beyond content and identity of a character"--

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Bibliographische Detailangaben
1. Verfasser: Paulicelli, Eugenia (VerfasserIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: New York, London, Oxford Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc 2016
Ausgabe:First published 2016
Schriftenreihe:Topics and issues in national cinema volume 5
Schlagworte:
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Beschreibung
Zusammenfassung:"Provides an historical and theoretical framework to understand the different typologies and meanings of costume in film, going beyond content and identity of a character"--
Machine generated contents note: -- Part I. Fashion, cinema and Italian identity -- From France to Italy. fashion, modernity and film -- Nationalism: fashion as propaganda in the 1930s -- Part II. Towards the launch of Italian style through cinema, fashion and design -- From neorealism to the launch of Italian fashion (1942-1966) -- Fashion, film and consumption during the economic miracle. -- From Modernism to excess: Antonioni, Fellini and Visconti. Italian filmmakers and their transnational language -- The Italian road to modernity: between crisis, melodrama, comedy and critique -- Part III. From Rome to Milan: the crisis of couture and the launch of Milan Prêt-a-Porter -- Italian fashion brands and foreign movies: Giorgio Armani and American Gigolo, The Untouchables (1968-1980s) -- Film and fashion fostalgia in the new millennium: between the digital revolution, globalization and 'Made in Italy'
Beschreibung:Includes bibliographical references and index
Beschreibung:xiii, 272 Seiten
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ISBN:9781441189158
978-1-4411-8915-8