Genre Hybridisation : Global Cinematic Flows
|
2013 |
Ritzer, Ivo |
Sudden Death(s) : Hybridisation, Deterritorialisation, and the Post-Colonial Imaginary in Transnational Philippine Media Culture
|
2013 |
Ritzer, Ivo |
"You Can't Stop What's Coming" : Hybridisation of the Western Genre Formular as an Interculturale Strategy of Meaning-Making
|
2013 |
Mundhenke, Florian |
Global Horror Meets Local Spirits : The Evolution of Tanzania's Horror Film Genre
|
2013 |
Böhme, Claudia |
Strange Hybrids from a Hong Kong Studio : 'Wuxia' and Hollywood Fantasie in A CHINESE GHOST STORY
|
2013 |
Rauscher, Andreas |
From Hollywood to Russia: New Russian Action Cinema around 2000 : Masculinity, Politics and National Identity in the Films of Aleksey Balabanov
|
2013 |
Gradinari, Irina |
Documetary Variations On a Hybrid Theme
|
2013 |
Stam, Robert |
Transnational Genre Hybridity : Between Vernacular Modernism and Postmodern Parody
|
2013 |
Bergfelder, Tim |
Spectacular Bodies and Funfair Attractions : The Italian 'Peplum' Cycle from CABIRIA to IL COLOSSO DI RODI
|
2013 |
Steinwender, Harald |
Hybridising Documentary : Between Fiction and Non-Fiction
|
2013 |
Porton, Richard |
The Classical-Modern Hybrid and the Politics of Intermediality
|
2013 |
Nagib, Lúcia |
Towards a Generic Understanding of the 'Giallo' : Crime-Horror Hybrids in Italian Cinema of the 1970s
|
2013 |
Ramos Arenas, Fernando |
Cinematic Citizenship in the Liminal Zone Between Palestine and Israel
|
2013 |
Shohat, Ella |
The Melodrama : Hybrid Forms, Cross-Cultural Narratives, Global Emotions
|
2013 |
Stuhlmann, Andreas |
Maxicanidad Meets Americanism : The Circulation of National Imaginaries and Generic Regimes Between the Western and the 'Comedia Ranchera'
|
2013 |
Schulze, Peter W. |
The Socialist Hybrids
|
2013 |
Bulgakova, Oksana Leonidovna |
Sons of Cain : Traditions of Gothic Horror in Antonio Margheriti's Spaghetti Westerns
|
2013 |
Stiglegger, Marcus |
The Films of Jules Dassin : Cosmopolitan Hybridity
|
2013 |
Eleftheriotis, Dimitris |
"Extremely useful, extremely adaptable" : Bram Stoker's 'Dracula' and the TWO NOSFERATUS
|
2013 |
Grant, Barry Keith |
African Francophone Cineastes Going 'Genres' : Two Examples for (E)Merging Genres
|
2013 |
Fendler, Ute |