| Signatures of Motion: Len Lye's Scratch Films and the Energy of the Line
|
2014 |
Johnston, Andrew R. |
| Animating Copies: Japanese Graphic Design, the Xerox Machine, and Walter Benjamin
|
2014 |
Furuhata, Yuriko |
| Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and Photography
|
2014 |
LaMarre, Thomas |
| Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and the Pacific Theater
|
2014 |
Ghosh, Bishnupriya |
| "First Principles" of Animation
|
2014 |
Cholodenko, Alan |
| Animation, in Theory
|
2014 |
Buchan, Suzanne |
| Some Observations Pertaining to Cartoon Physics; or, the Cartoon Cat in the Machine
|
2014 |
Bukatman, Scott |
| Polygraphic, Photography and the Origins of 3-D Animation
|
2014 |
Galloway, Alexander R. |
| "A Living, Developing Egg is Present before You": Animation, Scientific Visualization, Modeling
|
2014 |
Gaycken, Oliver |
| André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms
|
2014 |
Joubert-Laurencin, Hervé |
| Animation and History
|
2014 |
Leslie, Esther |
| Animating the Instant: The Secret Symmetry between Animation and Photography
|
2014 |
Gunning, Tom |
| Film as Experiment in Animation: Are Films Experiments on Human Beings?
|
2014 |
Koch, Gertrud |
| Frame Shot: Vertov's Ideologies of Animation
|
2014 |
Mihailova, Mihaela |
| Framing the Postmodern: The Rhetoric of Animated Form in Experimental Identity-Politics Documentary Video in the 1980s and 1990s
|
2014 |
Takahashi, Tess |
| Realism in the Animation Media Environment: Animation Theory from Japan
|
2014 |
Steinberg, Marc |
| African American Representation through the Combination of Live Action and Animation
|
2013 |
Lehman, Christopher P. |
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