| Perspectives in Bartók research
|
2000 |
Antokoletz, Elliott |
| Bartók's odyssey in Slovak folk music
|
2000 |
Suchoff, Benjamin |
| The "Verbunkos" and Bartók's modern style : the case of "Duke Bluebeard's castle"
|
2000 |
Frigyesi, Judit |
| Bartók's "Concerto for orchestra" (1943) and Janácek's "Sinfonietta" (1926) : conceptual and motivic parallels
|
2000 |
Porter, James |
| Bartók's notations in composition and transcription
|
2000 |
Somfai, László |
| Correcting printed editions of Béla Bartók's viola concerto and other compositions
|
2000 |
Bartók, Peter |
| Bartók on Southslavic epic songs
|
2000 |
Erdely, Stephen |
| Modal transformation and musical symbolism in Bartók's "Cantata profana"
|
2000 |
Antokoletz, Elliott |
| Background and analysis of Bartók's Romanian Christmas carols for piano (1915)
|
2000 |
Yeomans, David |
| Deciphering Béla Bartók's viola concerto sketch
|
2000 |
Dellamaggiore, Nelson |
| Analyzing Bartók's works of 1918-1922 : motives, tone patches, and tonal mosaics
|
2000 |
Gillies, Malcolm |
| The benefits of "Relaxation" : the role of the "Piheno" movement in Béla Bartók's "Contrasts"
|
2000 |
Novak, John K. |
| The genesis of Bartók's musical language
|
2000 |
Suchoff, Benjamin |
| Love and anguish : Bartók's expressionism
|
2000 |
Crawford, Dorothy L. |
| Bartók in North Africa : a unique fieldwork and its impact on his music
|
2000 |
Kárpáti, János |
| Béla Bartók and Bulgarian Rhythm
|
2000 |
Rice, Timothy |
| Pelléas revealed : the original ending of Bartók's opera, "Duke Bluebeard's castle"
|
2000 |
Leafstedt, Carl S. |
| Bartók's fourteen Bagatelles op. 6, for piano : toward performance authenticity
|
2000 |
Fischer, Victoria |
| The canonization of Béla Bartók
|
2000 |
Gillies, Malcolm |
| Organic expansion and classical structure in Bartók's "Sonata for two pianos and percussion"
|
2000 |
Antokoletz, Elliott |
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