| Introduction : new perspectives on postcolonial film
|
2014 |
Weaver-Hightower, Rebecca |
| Life as an Ocean : Hou Hsiao-Hsien's 'The Puppetmaster' (1993)
|
2014 |
Spence, Stephen |
| Afterword : History, Empire, Resistance
|
2014 |
Stam, Robert |
| The Sound of Broken Memory : Assia Djebar's 'The Nuba of the Women of Mount Chenoua' (1977)
|
2014 |
Mosher, Sarah E. |
| A Cinema of Conviviality : Ray Lawrence's 'Jindabyne' (2006)
|
2014 |
Columpar, Corinn |
| Identity and the Politics of Space : Fatih Akın's 'The Edge of Heaven' (2007)
|
2014 |
Demirkoparan, Vuslat |
| Yesterday's Mujahiddin : Gillo Pontecorvo's 'The Battle of Algiers' (1966)
|
2014 |
Harrison, Nicholas |
| Space and Cultural Memory : Te-Sheng Wei's 'Cape No.7' (2008)
|
2014 |
Fu, Yu-Wen |
| The Postcolonial Hybrid : Neill Blomkamp's 'District 9' (2009)
|
2014 |
Weaver-Hightower, Rebecca |
| Approximate Others : Peter Weir's 'The Last Wave' (1977)
|
2014 |
Hollyfield, Jerod Ra'Del |
| The Marginal Interventionist Cinema of Budhan Theatre : Dakxin Bajrange Chhara's 'The Lost Water' (2010)
|
2014 |
Schwarz, Henry |
| Shifting Sands, Imaginary Space, and National Identity : Cédric Klapisch's 'Peut-être (1999)
|
2014 |
Gavarini, Jehanne-Marie |
| No Chains on Feet or Mind : Jean-Claude Flamand Barny's 'Nèg Maron' (2005)
|
2014 |
Robinson, Meredith |
| Déjà Vu All Over Again : Guy Maddin's 'My Winnipeg' (2007)
|
2014 |
Sugars, Cynthia Conchita |
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