| "There must be something in the water..."
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2012 |
Tscherkassky, Peter |
| The Framework of Modernity. Some concluding remarks on cinema and modernism.
|
2012 |
Tscherkassky, Peter |
| Reanimator, Stutterer, Eraser. Martin Arnold and the Ghosts of Cinema.
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2012 |
Anker, Steve |
| "Is This the Precise Way That Worlds are Reborn?" : The Films of Siegfried A. Fruhauf.
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2012 |
Brenez, Nicole |
| I Dream of Austria.
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2012 |
Martin, Adrian |
| Ground Survey. An Initial Mapping of an Expanding Territory.
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2012 |
Tscherkassky, Peter |
| The Halted Sun of Ferry Radax.
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2012 |
Tscherkassky, Peter |
| The Generalist: Ernst Schmidt Jr.
|
2012 |
Tscherkassky, Peter |
| Countdown to Zero. Before the Avant-Garde: Austrian Visionary Film 1951-1955.
|
2012 |
Grissemann, Stefan |
| Two Telephone Books, a Lightbulb and a Glass Plate. How Maria Lassnig's Low-Fi Animated Films Influenced an Entire Generation of Animation Filmmakers.
|
2012 |
McKechneay, Maya |
| Lisl Ponger's Cinema. The Lessons of Ignorance.
|
2012 |
Rosenbaum, Jonathan |
| The Filmic Convulsions of Mara Mattuschka.
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2012 |
Blümlinger, Christa |
| Weapon of Choice. Notes on Notes on Film. Or, The Man Who Is Squidward Tentacles. On the Works of Norbert Pfaffenbichler
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2012 |
Huber, Christoph |
| Avant-Garde Now. Notes on Contemporary Film Art.
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2012 |
Pichler, Barbara |
| The World According to Kubelka.
|
2012 |
Tscherkassky, Peter |
| Time Slice, Space Block. The Synthetic Realities of Viennese Filmmaker Hans Scheugl.
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2012 |
Grissemann, Stefan |
| Shadow Burns. Notes on the Film Works of Marc Adrian.
|
2012 |
Pfaffenbichler, Norbert |
| Expanded Cinemas Exploding.
|
2012 |
Scheugl, Hans |
| VALIE EXPORT: The Female Body in Myriad Frames.
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2012 |
Turim, Maureen Cheryn |
| The Garden of Earthly Delights. On the Films of Dietmar Brehm
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2012 |
Rebhandl, Bert |
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