| Art history's furies
|
2013 |
Roberts, John |
| The dialectial legacies of radical art history : Meyer Schapiro and German aesthetic debates in te 1930s and 1940s
|
2013 |
Carter, Warren |
| Approaching Marx's aesthetic : or, what is sensuous practice ?
|
2013 |
Martin, Stewart |
| A note on aestheticizing tendencies in American landscape painting 1840-80
|
2013 |
Wallach, Alan |
| "One spectator is a better witness than ten listeners" : Roger North, making the past public
|
2013 |
Ford, Charles |
| Red Hashar : Louis Lozowick's lithographs of Soviet Tajikistan
|
2013 |
Haran, Barneby |
| Stuart Davis and left modernism on the New York waterfront in the 1930s
|
2013 |
Patterson, Jody |
| The Nazi party's strategic use of the Bauhaus : Marxist art history and the political conditions of artistic production
|
2013 |
Jaskot, Paul B. |
| Realism and materialism in postwar European art
|
2013 |
Potts, Alex |
| The situation of women
|
2013 |
Stracey, Frances |
| Realism, totality and the militant Citoyoen . or, what does Lukács have to do with contemporary art
|
2013 |
Day, Gail |
| What remains of Adorno's critique of culture ?
|
2013 |
Schneider, Norbert |
| Introduction . towards a history of the marxist history of art
|
2013 |
Carter, Warren |
| The political logic of radical art history in California 1974-85 . a memoir
|
2013 |
Eisenman, Stephen F. |
| Aby Warburg and the spirit of capitalism
|
2013 |
Schwartz, Frederic J. |
| Meaning, change and ambiguity in Canadian Landscape imagery : Homer Watson and the pioneer mill
|
2013 |
Foss, Brian |
| An "ever-recurring controversy" : John Thompson, William James Stillman and the Bootblacks
|
2013 |
Edwards, Steve |
| William Morris, ornament and the coordinates of the body
|
2013 |
Arscott, Caroline |
| Experiment and propaganda : art in the monthly New Masses
|
2013 |
Sanders, Rachel |
| Action, revolution and painting . resumed
|
2013 |
Orton, Fred |
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