[Rezension von: The Oxford handbook of sound studies...]
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2013 |
Missfelder, Jan-Friedrich |
The garden in the machine : listening to early American industrialization
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2012 |
Smith, Mark M. |
A gray box : the phonograph in laboratory experiments
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2012 |
Kursell, Julia |
Sound and player immersion in digital games
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2012 |
Grimshaw-Aagaard, Mark |
The sonic playpen : sound design and technology in Pixar's animated shorts
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2012 |
Whittington, William |
Online music sites as sonic sociotechnical communities : identity, reputation, and technology at ACIDplanet.com
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2012 |
Pinch, Trevor J. |
The recording that never wanted to be heard and other stories of sonification
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2012 |
Sterne, Jonathan |
Selling sound : testing, designing, and marketing sound in the European car industry
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2012 |
Cleophas, Eefje |
Underwater music : tuning composition to the sounds of science
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2012 |
Helmreich, Stefan |
From scientific instruments to musical instruments : the tuning fork, the metronome, and the siren
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2012 |
Jackson, Myles W. |
Visibly audible : the radio dial as mediating interface
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2012 |
Fickers, Andreas |
From listening to distribution : nonofficial music practices in Hungary and Czechoslovakia from the 1960s to the 1980s
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2012 |
Hagen, Trever |
The amateur in the age of mechanical music
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2012 |
Katz, Mark |
iPod culture : the toxic pleasures of audiotopia
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2012 |
Bull, Michael |
New keys to the world of sound
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2012 |
Pinch, Trevor J. |
Turning a deaf ear? : industrial noise and noise control in Germany since the 1920s
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2012 |
Braun, Hans-Joachim |
"Sobbing, whining, rumbling" : listening to automobiles as social practice
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2012 |
Krebs, Stefan |
Sound sterile : making scientific field recordings in ornithology
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2012 |
Bruyninckx, Joeri |
Conversions : sound and sight, military and civilian
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2012 |
Mody, Cyrus C. M. |
Sounding bodies : medical students and the acquisition of stethoscopic perspectives
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2012 |
Rice, Tom |