| The 1737 Licensing Act and its Impact
|
2014 |
Thomas, David |
| Looking Towards 1843 and the End of the Monopoly
|
2014 |
Davis, Jim |
| Shakespeare in the Georgian Theatre
|
2014 |
Santor, Gefen Bar-On |
| Interrogating Legitimacy in Britan and America
|
2014 |
Reed, Peter P. |
| Painting the Scene
|
2014 |
Barush, Kathryn R. |
| Genealogies of Comedy
|
2014 |
Anderson, Misty G. |
| Pantomimic Politics
|
2014 |
O'Brien, John |
| The Case of Byron's Marino Faliero
|
2014 |
Gardner, John |
| Jane Austen's Stage
|
2014 |
Gay, Penny |
| Theatre, Islam, and the Question of Monarchy
|
2014 |
O'Quinn, Daniel |
| The Georgian Theatre in Colonial America
|
2014 |
Johnson, Odai |
| Women Theatre Managers
|
2014 |
Crochunis, Thomas C. |
| Women Playwrights
|
2014 |
Purinton, Marjean D. |
| Retrieving Elizabeth Inchbald
|
2014 |
Backscheider, Paula R. |
| Empire, Sentiment, and Theatre
|
2014 |
Orr, Bridget |
| Enlightenment, Exclusion, and the Publics of the Georgian Theatre
|
2014 |
Sandhu, Angie |
| Theatre Managers and the Managing of Theatre History
|
2014 |
Taylor, David Francis |
| Theatrical Celebrity and the Commodification of the Actor
|
2014 |
McPherson, Heather |
| Performing Variety, Packaging Difference
|
2014 |
Straub, Kristina |
| The Dialectics of Print and Performance after 1737
|
2014 |
Kinservik, Matthew J. |
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