| Theorizing Audience and Spectatorial Agency
|
2014 |
Bolton, Betsy |
| Theorizing the Performative Event
|
2014 |
Carlson, Marvin A. |
| The Political Context of the 1737 Licensing Act
|
2014 |
Swindells, Julia |
| Orchestra and Theatre Music
|
2014 |
Rogers, Vanessa L. |
| Shelley, Viganò, and Coreodramma
|
2014 |
Mulhallen, Jacqueline |
| William Godwin and the Politics of Playgoing
|
2014 |
O'Shaughnessy, David |
| Theorizing the Woman Performer
|
2014 |
Brooks, Helen E. M. |
| Colman's Inkle and Yarico: Four Critical Perspectives
|
2014 |
Felsenstein, Frank |
| Historic Williamsburg: Theatre, Memory, and Colonial Slavery
|
2014 |
Wood, Marcus |
| The 1737 Licensing Act and its Impact
|
2014 |
Thomas, David |
| Looking Towards 1843 and the End of the Monopoly
|
2014 |
Davis, Jim |
| Shakespeare in the Georgian Theatre
|
2014 |
Santor, Gefen Bar-On |
| Interrogating Legitimacy in Britan and America
|
2014 |
Reed, Peter P. |
| Painting the Scene
|
2014 |
Barush, Kathryn R. |
| Genealogies of Comedy
|
2014 |
Anderson, Misty G. |
| Pantomimic Politics
|
2014 |
O'Brien, John |
| The Case of Byron's Marino Faliero
|
2014 |
Gardner, John |
| Jane Austen's Stage
|
2014 |
Gay, Penny |
| Theatre, Islam, and the Question of Monarchy
|
2014 |
O'Quinn, Daniel |
| The Georgian Theatre in Colonial America
|
2014 |
Johnson, Odai |
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