| The Oral and the Written: Aspects of Oral Composition, Performance, and Reception
|
2014 |
Reichl, Karl |
| The Norman Conquest and English Literary Culture After 1066
|
2014 |
Cartlidge, Neil |
| Courtly Love and Its Impossible Implementation: The Narrative Pragmatics of an Ideal
|
2014 |
Chism, Christine |
| Interior Visions: Piers Plowman and the Dream Vision Genre
|
2014 |
Calabrese, Michael |
| Writing Heresy, Apostasy, and Anticlericalism in Medieval England
|
2014 |
Galloway, Andrew |
| Sources, Analogues, Creativity
|
2014 |
Machan, Tim William |
| Writing from the "Other Shore" and the Beginnings of Vernacular Literature in Ireland
|
2014 |
Nagy, Joseph F. |
| Collectors and Collections: Libraries and Their Social and Private Functions
|
2014 |
Bell, David N. |
| Word and Image
|
2014 |
Treharne, Elaine |
| New Technologies: From Manuscript to Print
|
2014 |
Echard, Siân |
| Writing the Self: Regulating Sex, Body, and Soul
|
2014 |
Herbert McAvoy, Liz |
| British Chaucer
|
2014 |
Ganim, John M. |
| Old English and Anglo-Latin: The Odd Couple
|
2014 |
Orchard, Andy |
| Old English Literature and the Negotiations of Tradition
|
2014 |
O'Keeffe, Katherine O'Brian |
| Sermons and Saints: From the Late Tenth to the Eleventh Centuries
|
2014 |
Szarmach, Paul E. |
| Racial Imagination and the Theater of War: Captivitiy and Execution in Richard, Coer de Lion
|
2014 |
Yeager, Suzanne M. |
| Writing Revolution
|
2014 |
Turner, Marion |
| The Romance Genre
|
2014 |
Saunders, Corinne |
| Performing Communities: The Variety of Dramatic Practices in Medieval England
|
2014 |
Fitzgerald, Christina M. |
| Before the Makars: Older Scots Literature Under the Early Stewart Kings
|
2014 |
Purdie, Rhiannon |
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