| "What Do the Women Do?": The Work of Women in the Fiction of the Brontes
|
2014 |
Zlotnick, Susan Ruth |
| Evolution and Entropy: Scientific Contexts in the Nineteenth Century
|
2014 |
Anger, Suzy |
| Regionalism and Consciousness: Thomas Hardy's Imagined Geographies
|
2014 |
Wilson, Keith |
| The Irish Literary Revival
|
2014 |
Pethica, James |
| Form, Figure, and Ground: Auden and England After Modernism
|
2014 |
Blanton, C. D. |
| Sticks and Stones: Three Nearly Unnamable Figures and a Review of Postcolonialism
|
2014 |
Chang, Elaine K. |
| Charles Dickens, Dramatist
|
2014 |
Gillooly, Eileen |
| Art, Self, and Society: Tennyson and the Brownings, 1830-1857
|
2014 |
Campbell, Matthew |
| Pre-Raphaelite Brothers, Lovers, and the Sister Arts
|
2014 |
Graham, Wendy |
| Virginia Woolf and Experimental Fiction
|
2014 |
Fernald, Anne E. |
| "Frail, and So Full of Fire": The Angry Young Man and Changing Masculinities
|
2014 |
Gopinath, Praseeda |
| Global Markets: Contemporary British Fiction and the Book Trade
|
2014 |
Todd, Richard |
| The British Dystopian Novel from Wells to Ishiguro
|
2014 |
Wegner, Phillip E. |
| Becoming George Eliot: Female Authorship in the Nineteenth Century
|
2014 |
Hadjiafxendi, Kyriaki |
| Modernism and Empire
|
2014 |
Winkiel, Laura A. |
| "How to Enjoy James Joyce's Great Novel": Making and Marketing in Ulysses
|
2014 |
Dilks, Stephen |
| Anglophobia and Anglophilia: Hugh MacDiarmid and T. S. Eliot
|
2014 |
Crawford, Robert |
| Doom in the Bud: Beckett's Drama and After
|
2014 |
Lawley, Paul |
| Imagining Female Authorship After 1945: Lessing's and Spark's Portraits of the Artist Manqué
|
2014 |
Fackler, Maria Francesca |
| Theater, Exhibition, and Spectacle in the Nineteenth Century
|
2014 |
Weltman, Sharon Aronofsky |
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