| Theater, Exhibition, and Spectacle in the Nineteenth Century
|
2014 |
Weltman, Sharon Aronofsky |
| Re-Envisioning Yeat's A Vision: Modernist Spirality and the Distribution of the Sensible
|
2014 |
Israel, Nico |
| First World War Poetry
|
2014 |
Piette, Adam |
| Sartorial Modernity: Fashion, Gender, and Sexuality in Modernism
|
2014 |
Garrity, Jane |
| Historical Turns in Twentieth-Century Fiction
|
2014 |
Connor, John T. |
| Anthologizing Poetry: The Movement and After
|
2014 |
Alderman, Nigel |
| The Modern Scottish Novel
|
2014 |
Craig, Cairns |
| Queer Fiction in Contemporary Britain
|
2014 |
Medd, Jodie |
| Becoming George Eliot: Female Authorship in the Nineteenth Century
|
2014 |
Hadjiafxendi, Kyriaki |
| Modernism and Empire
|
2014 |
Winkiel, Laura A. |
| "How to Enjoy James Joyce's Great Novel": Making and Marketing in Ulysses
|
2014 |
Dilks, Stephen |
| Anglophobia and Anglophilia: Hugh MacDiarmid and T. S. Eliot
|
2014 |
Crawford, Robert |
| Doom in the Bud: Beckett's Drama and After
|
2014 |
Lawley, Paul |
| Imagining Female Authorship After 1945: Lessing's and Spark's Portraits of the Artist Manqué
|
2014 |
Fackler, Maria Francesca |
| Charles Dickens, Dramatist
|
2014 |
Gillooly, Eileen |
| Art, Self, and Society: Tennyson and the Brownings, 1830-1857
|
2014 |
Campbell, Matthew |
| Pre-Raphaelite Brothers, Lovers, and the Sister Arts
|
2014 |
Graham, Wendy |
| Virginia Woolf and Experimental Fiction
|
2014 |
Fernald, Anne E. |
| "Frail, and So Full of Fire": The Angry Young Man and Changing Masculinities
|
2014 |
Gopinath, Praseeda |
| Global Markets: Contemporary British Fiction and the Book Trade
|
2014 |
Todd, Richard |
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