| Classical music for the posthuman condition
|
2013 |
Kramer, Lawrence |
| The end of diegesis as we know it?
|
2013 |
Kassabian, Anahid |
| Title sequences for contemporary television serials
|
2013 |
Davison, Annette |
| Cut the big theme? : the sound of the superhero
|
2013 |
Halfyard, Janet K. |
| Music video transformed
|
2013 |
Korsgaard, Mathias Bonde |
| Implications of interactivity : what does it mean for sound to be "interactive"?
|
2013 |
Collins, Karen |
| Sound and vision : the audio/visual economy of musical performance
|
2013 |
Auslander, Philip |
| Foreground flatland
|
2013 |
Lanza, Joseph |
| Video speech in latin America
|
2013 |
Chanan, Michael |
| Notes on sound design in contemporary animated films
|
2013 |
Thom, Randy |
| The mutating musical and "The sound of music"
|
2013 |
Flinn, Caryl |
| Chinese rock'n'roll film and Cui Jian on screen
|
2013 |
Xiao, Ying |
| Extending film aesthetics : audio beyond visuals
|
2013 |
Donnelly, Kevin J. |
| The audiovisual construction of transgender identity in "Transamerica"
|
2013 |
Välimäki, Susanna |
| Audiovisual objects, multisensory people, and the intensified ordinary in Hong Kong action films
|
2013 |
Kronengold, Charles |
| Music video's second aesthetic?
|
2013 |
Vernallis, Carol |
| The emancipation of music video : youtube and the cultural politics of supply and demand
|
2013 |
Hearsum, Paula |
| Sound events : innovation in projection and installation
|
2013 |
Turim, Maureen Cheryn |
| Multichannel gaming and the aesthetics of interactive surround
|
2013 |
Kerins, Mark |
| Leaving something to the imagiantion : "seeing" new places through a musical lens
|
2013 |
Hara, Mariko |
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