| Classical music for the posthuman condition
|
2013 |
Kramer, Lawrence |
| The end of diegesis as we know it?
|
2013 |
Kassabian, Anahid |
| Title sequences for contemporary television serials
|
2013 |
Davison, Annette |
| Cut the big theme? : the sound of the superhero
|
2013 |
Halfyard, Janet K. |
| Music video transformed
|
2013 |
Korsgaard, Mathias Bonde |
| Implications of interactivity : what does it mean for sound to be "interactive"?
|
2013 |
Collins, Karen |
| Sound and vision : the audio/visual economy of musical performance
|
2013 |
Auslander, Philip |
| Foreground flatland
|
2013 |
Lanza, Joseph |
| Beyond music : mashup, multimedia mentality, and intellectual property
|
2013 |
Cook, Nicholas |
| Sounding out film
|
2013 |
Connor, Steven |
| Audiovisual space in an era of technological convergence
|
2013 |
Stilwell, Robynn Jeananne |
| No country for old music
|
2013 |
Burwell, Carter |
| The neosurrealist musical and Tsai Ming-Liang's "The wayward cloud"
|
2013 |
Richardson, John |
| Parties in your head : from the acoustic to the psycho-acoustic
|
2013 |
Brophy, Philip |
| The sound of intensified continuity
|
2013 |
Smith, Jeff |
| Soundscapes of Istanbul in Turkish film soundtracks
|
2013 |
Kyto, Meri |
| Remaking the urban : the audiovisual aesthetics of iPod use
|
2013 |
Bull, Michael |
| Video speech in latin America
|
2013 |
Chanan, Michael |
| Notes on sound design in contemporary animated films
|
2013 |
Thom, Randy |
| The mutating musical and "The sound of music"
|
2013 |
Flinn, Caryl |
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