"Triumph, victorious love" : "Le Triomphe de l'Amour" (1681) and English dramatic opera
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2023 |
Tuppen, Sandra |
Performer, composer and impresario : Thomas Vincent Jr. (c.1723-1798) and the oboe in London, 1748-1768
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2023 |
Johnson, Blake |
King George III and the "Smith Collection" of Handel manuscripts
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2023 |
Burrows, Donald |
"Early Music" and materiality : 2
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2023 |
Milsom, John |
"As unknown to me as a Bohemian village" : a retrospective of Czech Baroque music in recordings
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2023 |
Rawson, Robert |
The evolution of "Early Music"
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2023 |
Bent, Margaret |
Very early music in "Early Music"
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2023 |
Deeming, Helen |
Madrigal or canzona? : performing intellectual and sensual pleasure in Jacopo Tintoretto's "Women making music"
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2023 |
Swanson, Barbara |
Musical instruments in the Venetian home : contextualizing Marietta Robusti's self-portait
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2023 |
Hurley, Bláithín |
An alluring sight of music : the musical "courtesan" in the Cinquecento
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2023 |
Ventura Nieto, Laura |
When the CD was king : reminiscenes of a reviews editor
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2023 |
Fitch, Fabrice |
Music, gender and the erotic in Italian visual culture of the 16th century : introduction
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2023 |
Chang, Samantha |
Transcending the body : music, chastity and ecstasy in Reni's "St Cecilia playing the violin"
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2023 |
Harris, Sigrid |
Romanizing Chinese : word-tone relations in Athanasius Kircher's "China illustrata"
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2023 |
Levenberg, Jeffrey |
Aesthetic expression "an das Clavier" : performing character in the keyboard music of C. P. E. Bach
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2023 |
Fick, Kimary |
Fifty years of debate in "Early Music"
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2023 |
Mason, Joseph |
"Early Music" and materiality : 1
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2023 |
Knighton, Tess |
Will she or won't she? : the ambivalence of female musicianship in two paintings by Bernardino Licinio (1489-1565)
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2023 |
Henry, Chriscinda |
"With the base Viall placed between my Thighes" : musical instruments and sexual subtext in Titian's "Venus with musician" series
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2023 |
Bandy, Malachai Komanoff |
Music and love in Sigismondo Fanti's "Triompho di Fortuna" (1527)
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2023 |
Page, Annabelle |